Game Maker Spaceship Engine Names

Looking to create the sound of a futuristic – and perhaps alien – spaceship? Sound designers Ruslan Nesteruk and Gleb Bondarenko have spent the last few months researching and working on excellent spaceship sound effects – and now they’ve made the most in-depth spaceship SFX guide I’ve ever seen. In this exclusive A Sound Effect guide, they share their tips and ideas on how to get this vital sci-fi sound element just right; from the conceptual phase, the sound sources, tools and methods, to designing the actual spaceship sound itself. And along the way, they provide plenty of examples + bonus Massive patches for you to design from. Happy reading – and sound designing! There is no sound in space.

Aug 18, 2014  Possible to make a space game with planets + few more questions. Look the way you want. If you want to create the world it wouldn't need to be a 1:1 size scale. (The Outerra Anteworld Game/Engine. There's is a 1:1) The main point is to make sure you get the idea across of what you want to do. You can still make an amazing and unique game.

But there is no such thing as silence for a sound designer, otherwise, we would all be without a job! That’s why hover cars, spaceships, and even black holes always buzz, whistle, and roar, as long as there is a thirst for novelty and a man that turns synthesizer knobs. From TIE Fighters in Star Wars, the Enterprise in Star Trek, and auto jets in THX 1138, to spaceships in Star Citizen – the fictional technology has been developing and refining over the years of film and game making. In this article, we continue uncovering the aspects of designing sci-fi sounds — this time, spaceships, their sonic structure and some methodology behind the sound generation.

Spaceship sound components to consider: Spaceship exterior sounds: 1. The engine: • Engine start — the sound of an engine gradually coming into motion, flames • Idle sound — this is the first sound we should hear in a ship after the engines have been switched on, that would tell us of an engine status — is it on and running well? • Loaded sound/Thrust — the main engine sound when a vessel starts moving. It’s the roar that overpowers everything else with its sonic display of thrust • Stutter sound — optional “stutter” layer that can be added underneath for more organic overall sound. • Servo sound — optional metallic type of sound. If the ship has moving parts either inside the engine nozzle or somewhere around it, this layer should add to the credibility of the mechanism. • Optional maneuvering thrusters.

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• Rumble layer – LFE-kind of sound that adds the mass and might to an • “Special” speed mode — aka FTL, Warp Drive, Quantum jump in various films and Unique engine drive mode which boosts the ship to unbelievable faster-than- light speeds. • Shutdown – engines off, system 2. Force fields: • Static force field sound — a sound of a functioning defense • Force field damage/puncture. • Field regeneration. • Field fully destroyed.

Landing gear extension/retraction: • Door open/close. • The chassis/legs movement (servo, mechanical). • Metal bangs.

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Weapons: Weapons – our favorite component of all, which we discussed in detail in previous article dedicated to futuristic guns —. Spaceship sound examples from Ruslan and Gleb’s SFX library Spaceship interior sounds: • Main ambience — a static room tone with some optional distant movements (maybe there are pneumatic pipes hissing in the distance, or electronic equipment buzzing nearby). • Energy generator/power core — humanly assumed to the extent of imagination, every spaceship should have some sort of internal power generator or the working concoction of an engine itself. Fun to design however you like, but should reflect its function — sound like a generator • UI sounds — the requisite for a believable sonic concept.